When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony.
With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.
释彦能,金美伶,赵小冬 Xiaodong Zhao,何诗雨 Shiyu He,周游 You Zhou,吴瑾
马伯骞
王辉,李恰,许东哲,戚彩,李博
汤姆·哈迪,李梅,杨雁雁,蒂莫西·奥利芬特,福里斯特·惠特克,贾斯汀·康维尔,奎琳·塞普尔维达,路易斯·古兹曼,米歇尔·沃特森,冯推守,吉姆·凯萨,克塞利亚·门德斯-琼斯,理查德·哈林顿,娜格斯·拉什迪,詹妮弗·阿尔莫,汤姆·吴,杰瑞米·安·琼斯,吉尔·温特尼茨,戈登·亚历山大,戴维·张振熙,杰克·莫里斯,Jon-Scott Clark
赛义夫·阿里·汗,杰德普.阿赫拉瓦迪,Nikita Dutta
草彅刚,细田佳央太,能年玲奈,要润,尾野真千子,丰岛花,斋藤工,黑田大辅,Satoshi Matsuo,大后寿寿花,尾上松也,六平直政,泷正则,坂东弥十郎