Amegalithrisesfromasandydesert–orrather,ascalemodelofsuchalandscape.“Iamthearchive”,saysayoungfema...
Amegalithrisesfromasandydesert–orrather,ascalemodelofsuchalandscape.“Iamthearchive”,saysayoungfemalevoicewhileominousstringmusicnailsviewerstotheirseats.ThisopeningsetsthestageforthenarrativeandfigurativelanguageofRithyPanh’sdensemnemonicessaywhichusesstunningdioramastotellatwenty-firstcenturydystopianstory.Afteracenturyofgenocidalideologiesanddestructivespeciesism,animalshaveenslavedhumansandtakenovertheworld.Inawaveofhope,thestatuesofthepasthavebeenremovedbutnewonesarebeingerectedtosuppressthewillofthepeople.Thisisnowaplanetofapes,boarsandlions,andazoologicalrevolutionisreversingandrecreatingtheatrocitiesofthe20thcentury.Asanimalfigureswatchthefilmarchivesofourworld,itfeelsasifLumièrehasbeentransportedintoafilmbyMélièsorWillisH.O’Brien.Weareallwellawarethathistoryrepeatsitselffirstastragedy,thenasafarce.Thetimehasnowcomeforthisfarce,inwhich“politicallanguageinhabitsourdreamsandconsumesus”,toallowthepossibilityofa“gracefulandtenderinsubordination”toemergeaaa
克里斯·帕内尔,哈利·贝尔登,斯宾瑟·格拉默,萨拉·乔克,伊恩·卡多尼
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尼克·克罗尔,约翰·木兰尼,杰茜·克莱因,杰森·曼楚克斯,阿尤·艾德维利,弗莱德·阿米森,玛娅·鲁道夫,乔丹·皮尔,安德鲁·兰内斯
