In a confused welter of artistic licence, this is the classical music biopic which makes 'Song...
In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.
王志鹏,张明明,舒耀瑄,孙蛟龙
桥本爱,中川大志,山田杏奈,根矢凉香,久保田纱友,平井亚门,吉冈睦雄,草野康太,臼田麻美,中村苍,能年玲奈
朴艺荣,李夏恩,金伊敬,朴钟焕,韩海印
肖央,春夏,陈明昊,蒋奇明,王迅,王子川,赵梓冲,杨轶,李路琦,国义骞,郑磊,赵成哲,赵子琪,石凉,于明加,黄尧,任洛敏,陈玺旭,王圣迪,黄晓明
施骏喆,蒋申,魏威,张春仲田少波
魏慧丽,曹毅,姜玉玲,郭柏松,虞桂春,徐晓光,龚彤周,张琴生
