After unhitching her camper at a lakeside in the mountains, Faye finds her rhythm cooking meals, r...
After unhitching her camper at a lakeside in the mountains, Faye finds her rhythm cooking meals, retrieving crawfish from a trap, and scanning her old box radio for a station. She looks expectantly at the approach of a car or the mailman, explaining to neighboring campers that she’s waiting for a childhood sweetheart she hasn’t seen in decades. When he does arrive, Lito and Faye, both widowed, spend an evening reminiscing about their lives, losses, and loneliness.
A whimsical romance, Max Walker-Silverman’s captivating debut feature shows an "American West" full of quietude, compassion, and introspection. It’s both naturalistic and vaguely surreal, blurring our sense of time and beauty, loss and vivacity, the grandiose natural world and intimate humanism. Career performances from Dale Dickey and Wes Studi bring an inescapable presence to people we don’t often see portrayed on film. They are gentle outliers possessed of resilience and existential spirit, seeking to process something elusive: a feeling of love for what’s no longer there. Like Faye turning her radio dial, they listen hopefully for the faint trace of a song.
郭俊辰,孙伊涵,周彦辰,葛鑫怡,丁真珍珠,翁虹,韩栋,吕一,段奥娟,陈博豪,沈雨,杨曼聆
李源冰,李冠一
松隆子,松村北斗,吉冈里帆,森七菜,中川雅也,江原由希子,竹原和生,松田大辅,和田雅成,铃木庆一,神野三铃
Rattanaballang Tohssawat,Chaiwat Thongsaeng,Wiradit Srimalai,Chutcha Rujinanon,Uthumporn Silaphan
药师丸博子,丰川悦司,筒井道隆
管乐,周澄奥,姚弛,张小婉,刘迅,马渝捷,吕严,嵇嘉禾,李泰,吕昀峰,李沫颔,知夏,周漩,周子贺